![]() Sounds and works the same but a little easier to to configure. You can also use the Advanced Whammy mode in the Pitch block. Set Mix to 100%, Tracking to On, Pitch Track to Poly.Set the other voice's Level to -80 to mute it.For a drop of two semitones set one voice to -2.Put a Pitch block in series at the start of the grid.Setup both blocks to Engage at the same time." Drop-tuning and virtual capo Set it up with a Min frequency of 20,000 Hz, and a Max of 1000 Hz. Use it to cut the increasing high-end as the pitch is raised. Attach the same controller that you are using for the Whammy control to the 'Frequency' parameter in the Filter block. "Try adding a Filter block right after the Pitch/Whammy block. Or use this trick (by forum member Moke): These things were designed to be inexpensive." Higher sampling rates mean more processing power which means more expensive DSP. ![]() This limits the frequency response to 5K. (about the original Whammy pedal) "I would venture to guess that the pedal sample rate is low, like maybe 11 kHz. Tip: increase the Scale parameter in the modifier menu to create some "flat" space at the top, so the octave arrives earlier and stays put.ĭecrease the max frequency of the pitch-shifted voice to 5 kHz, or even much lower, to make it less "digital" and less thin. It's demonstrated as part of the factory preset "JS410" (firmware Cygnus 16.00 and later). You can engage a Whammy on the fly without using Auto-Engage ("Golden Whammy", idea, ). Use Auto-Engage in the modifier menu to automatically engage the Pitch block. Use the Classic Whammy pitch type, and attach a pedal to the Control parameter. Each detuner can feed back to itself and/or the other detuner. This type is comprised of two detuners with delay up to 2.0 seconds. The Multitap Delay block in firmware Ares and later is also capable of multi-voice detuning.įirmware 19.03 for the Axe-Fx III added a Dual Detune Delay type. Try running a Chorus block before or after the Pitch block for a more intense effect.īeware of Phase cancellation when running mono.įirmware Ares and later has two Detune modes: Pan the voices for a wide stereo effect.Put the block after the Amp block but before the stereo Cab block.Detune up and down the same amount, between +/-5 and +/-10.Van Halen's sound on the Balance album is well-known example of stereo pitch detuning. Pitch detuning is a great alternative to a chorus, without the "swirl" associated with 80's chorus tone. The Octave Divider sounds slightly like a synth, where a fixed harmony adds identical lower or higher harmony notes at fixed intervals. Pitch block: fixed shifted pitch, 1 octave down.The processors offer several ways to create an Octaver effect (octave down): ![]() ![]() Ola Englund demonstrates pitch harmony with a pedal Diatonic: Dual / Quadįirmware Ares and later replaces the Intelligent Harmony mode with:ĭual Diatonic (2 voices). Note that Quad Chromatic doesn’t have Feedback parameters. More explanation about diatonic and chromatic harmonies and custom scales Chromatic : Dual / Quadįirmware Ares and later replaces the Fixed Harmony mode with:ĭual Chromatic (2 voices). Pitch types in the Axe-Fx III, FM9 and FM3:
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